The V-SUB is an actively driven high performance cardioid subwoofer powered by a single amplifier channel. The V-SUB features integrated rigging equipment, and shares the same acoustical and visual design as the V-GSUB, which is intended for ground stacked applications only. It houses two long excursion neodymium drivers, an 18" driver in a bass-reflex design facing to the front and a 12" driver in a two chamber bandpass design radiating to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system that reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction.

The V12 is a 3-way passive design housing 2 x 10" LF drivers, one hornloaded 8" MF driver and two 1.4" exit HF compression drivers with 2.5" voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 120° horizontal constant directivity dispersion control nominally being maintained down to 250 Hz.

The compact, 2-way passive Y10P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 110° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°.

The compact Y12 line array loudspeaker is designed for use in vertical columns. The 2-way passive design features two 8” drivers in a dipole arrangement and a centrally mounted 1.4” compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 120° horizontal directivity controlled down to 500 Hz.

The compact, 2-way passive Y7P loudspeaker features two 8” drivers in a dipole arrangement with a 1.4” compression driver mounted onto a rotatable CD horn. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These point source, high performance cabinets offer 75° horizontal directivity controlled down to 500 Hz, matched with a vertical dispersion of 40°.

The compact Y8 line array loudspeaker is designed for use in vertical columns. The 2-way passive design features two 8” drivers in a dipole arrangement and a centrally mounted 1.4” compression driver with a wave transformer. Sophisticated horn geometry combined with the advanced bass-reflex port design delivers full bandwidth capabilities with an extended LF output. These high performance line array modules offer 80° horizontal directivity controlled down to 500 Hz.

The E8 is a high performance 2-way multipurpose loudspeaker, employing an integrated coaxial driver. The E8 can be used for speech and music applications as a stand-alone full range system, or incorporated into larger distributed sound reinforcement situations.

The V8 is a 3-way passive design housing 2 x 10" LF drivers, one hornloaded 8" MF driver and two 1.4" exit HF compression drivers with 2.5" voicecoils mounted to a dedicated waveshaping device. The symmetrical dipolar arrangement of the neodymium LF drivers around the centrally mounted coaxial MF and HF components allows a smooth overlap of the adjacent frequency bands in the crossover design. This results in an exceptional 80° horizontal constant directivity dispersion control nominally being maintained down to 250 Hz.

The 3-way passive V7P loudspeaker features two 10“ drivers in a dipole arrangement with a horn loaded 8“ MF driver and a 1.4“ compression driver mounted onto a rotatable CD horn. The innovative horn design for the centrally mounted 8“ MF driver produces a remarkable sensitivity resulting in an exceptional performance in the vocal range. An advanced bass-reflex and venting design delivers an extended LF output with full bandwidth capabilities.

The B6-SUB is a high performance subwoofer designed for ground stacked applications, housing a long excursion 18” driver built into a bass-reflex design. When three or any multiple of three B6-SUBs are used, they can be positioned in a Cardioid Subwoofer Array.

The Midas Pro-X is a live performance digital console control centre with up to 168 simultaneous inputs. The PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface.

Live Digital Console with 48 Input Channels, 24 Midas Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision.

The latest addition to Yamaha's top-line PM digital live-sound series, available with "normal" high-quality or recallable head amplifiers. Featuring 48 mono and 4 stereo inputs, 24 mix buses and 2 stereo outputs, and 8 matrix outputs.

The SD12 is set to raise the bar in terms of what users will now expect from a compact, affordable, multi- application digital console. Not only is SD12 a true sonic powerhouse, it also benefits from dual 15-inch touch screens, never before seen on a console in this price bracket, and is the first in the SD Range with built-in recording interfaces; which makes Virtual Soundchecking very straightforward indeed.

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The M88 TG is an excellent dynamic all purpose instrumental microphone with a hypercardioid pattern.

From the piano to guitar; strings to woodwinds; brass to percussion, the DPA 4099 miniature supercardioid Instrument microphone sounds equally impressive on them all. This one microphone model can beautifully reinforce an entire orchestra.

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To get the most from the best in mixing console technology, you need the finest I/O rack available. So meet the DiGiCoSD Rack, delivering up to 192kHz high resolution analogue I/O converters and multiple digital formats including: MADI, AES, ADAT and Aviom. Based on nine years of digital touring experience with the D and SD Series consoles, we’ve completely redesigned the SD7’s new rack to provide a wealth of improvements to complement its state-of-the-art sample rate.